A hand-painted double-frame printed film which begins with textures reminiscent of a gray shag rug that is fretted by green and golden flashes-of-shape deepening into darker solid purples and even black solidities at brief intervals: this evolves into black hair-like lines which curl and trace circularities midst all earlier textures, forms and colors until, finally, tanned flesh and blood tones predominate. Suddenly a sweep of thin black verticals generate a recapitulation of the beginning which, then, ends on a glob of black.
Comprised of a series of bizarre and unrelated episodes, this absurd Italian comedy earned the inglorious honor of being the film with the most audience walkouts at the 1996 Venice Film Festival.
Director Mohsen Makhmalbaf claims to have never seen a movie before making his first film. Doubtful as it sounds, this boast matches perfectly with the controversial artist's personae.
Filmmaker Ernesto Rimoch looks at the potent combination of love and ambition in this film about a couple who's so happy their daughter is marrying into a rich clan that they throw the best wedding ever, even if they can't afford it.
The true story of a Prussian aristocrat working for German military intelligence during World War II, who, with a group of fellow devout Christians, plotted to assassinate Hitler with a bomb in his briefcase.
A young man makes ends meet by selling camotes in his small providence town, has zero luck getting with the ladies, and is too broke to afford the hookers of the town.
When Hydro-Québec announced its intention to proceed with the enormous James Bay II hydroelectric project, the 15,000 Cree who live in the region decided to stand up to the giant utility.
