"With 'her', you'll be fine."01 January 199630 mins
Signals like the moon, streetlights like stars. The camera warmly captures the winter night roads, and the director's eye is also that of a director looking at two people who are more than friends but less than lovers. When Sakai chooses what is most important to him without hesitation, i.e. when he accepts the responsibility of loving her, the period in which she "had chosen" to leave him gives the story a deeper depth. A film that uses unrealistic motifs but depicts the birth of happiness in a sufficiently realistic way.
Comprised of a series of bizarre and unrelated episodes, this absurd Italian comedy earned the inglorious honor of being the film with the most audience walkouts at the 1996 Venice Film Festival.
Filmmaker Ernesto Rimoch looks at the potent combination of love and ambition in this film about a couple who's so happy their daughter is marrying into a rich clan that they throw the best wedding ever, even if they can't afford it.
Corky, a tough female ex-convict working on an apartment renovation in a Chicago building, meets a couple living next door, Caesar, a paranoid mobster, and Violet, his seductive girlfriend, who is immediately attracted to her.
Isolated in the bell tower of Notre Dame, Quasimodo longs to experience the world beyond the cathedral walls, despite the wishes of his stern guardian, the Judge of Paris Claude Frollo.
BEAUTIFUL FUNERALS is a hand-painted double-step-printed film composed of 1) dense blackness variously punctuated by brilliantly colored jewel/flower-like shapes AND 2) interruptive white sections which are fuzzily dotted with blurred whites and criss-crossed by black "brushstrokes" and hard-edge straight black and white lines.
