Admiral Flipside is one crazy sea-dog. Driven by a darker than black alter-ego he embarks upon a bizarre voyage of destruction and self discovery. Haunted by his subconscious he is driven by ghostly manifestations into a surreal world of circus and theatre inspired by Sebastian Brant’s 1494 book ‘Das Narrenschyff’ (The Ship of Fools). Unbeknown to him he is the leading actor in a stage play based on the ship of fools. He leads the witless fools on a disastrous voyage to find ‘Narragonia’ (Fools Utopia). Flipside finds himself the sole survivor after the ship is set upon by fire breathing monsters from the deep. He is washed up on the very beach that he left many years ago, only to discover his innocence waiting for him. Here at last, after so many long years searching, he is forced to confront the grim reality that is himself. These short films combine computer animation, traditional animation, video and concepts of theatre to produce a bizarre visual story.
A knight and his wife live in a small house in the middle of nowhere. Every day he fights passing knights and is rewarded by his wife with lots of love and delicious meals.
Fearful that the Russians would continue their lead in the space race and be the first to put a man on the moon, NASA felt an enormous pressure to push the Apollo Program forward as quickly as possible, though they knew that pushing too hard could lead to the ultimate disaster.
Director Mohsen Makhmalbaf claims to have never seen a movie before making his first film. Doubtful as it sounds, this boast matches perfectly with the controversial artist's personae.
Set on May 18, 1993—the day on which Denmark voted to join the European Union, just a few months after they'd voted not to do so—the film follows eight or so disparate Danes (an escaped mental patient, a newly-famous singer, a business executive, and their assorted families and cohorts) as they unwittingly alter one another's lives, for better and for worse.
Australian-born filmmaker George Miller offers a personal view of Australian films. He suggests that they can be regarded as visual music, public dreaming, mythology, and song-lines.
An examination of the evolution of commercials as an artistic medium, featuring interviews with media luminaries who relate how the in-your-face stylistic conventions of commercials have influenced feature films and the visual arts.
Military doctor Kwiatkowski, serving in a barracks hospital on the Western Territories, is rewarded with a week’s leave after successfully operating on Colonel Kiziora of the UB.
