In the mid-to-late fifties the word “Rock-A-Billy” found its way into the vocabulary of America’s youth. Bill Haley and His Comets were the leaders of this short-lived musical movement. By 1962 Rock-A-Billy was all but gone. But in present day London the fashions, attitudes, tattoos and music of the Rock-A-Billy era are alive and well; if you know where to find it. In venues like The Tennessee Rock and Roll Club, Teddy Boy society still perpetuates the mores of Rock-A-Billy culture. Visually arresting in its approach, The Teddy Boys of the Edwardian Drape Society offers a glimpse into this little known world of late night London.
Australian-born filmmaker George Miller offers a personal view of Australian films. He suggests that they can be regarded as visual music, public dreaming, mythology, and song-lines.
Fearful that the Russians would continue their lead in the space race and be the first to put a man on the moon, NASA felt an enormous pressure to push the Apollo Program forward as quickly as possible, though they knew that pushing too hard could lead to the ultimate disaster.
A doctor and his wife move to a new city where they plan to start a new life. However, trouble strikes in the form of a police inspector who gets completely obsessed with the doctor's wife.
When Hydro-Québec announced its intention to proceed with the enormous James Bay II hydroelectric project, the 15,000 Cree who live in the region decided to stand up to the giant utility.
Teenager, Clare Steves, is kidnapped by an old boyfriend, Eddie Spencer, who demands $250,000. The ransom is paid and Clare is released, but when the kidnapers are caught, they claim that the whole scheme was Clare's idea as a way to punish her father.
When Ethan Hunt, the leader of a crack espionage team whose perilous operation has gone awry with no explanation, discovers that a mole has penetrated the CIA, he's surprised to learn that he's the prime suspect.
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