In the light of the moon, a young terero leaves his village to go and fight “Toro.” An accomplice, dreamlike confrontation, where the interplay of shadows and silhouettes bring back the splendor of bullfighting mythology.
Australian-born filmmaker George Miller offers a personal view of Australian films. He suggests that they can be regarded as visual music, public dreaming, mythology, and song-lines.
To avenge his murdered best friend, top agent Max Zander slips into the role of the "clown". Hunted by the police, he fights crime under the cover of his mask.
Director Mohsen Makhmalbaf claims to have never seen a movie before making his first film. Doubtful as it sounds, this boast matches perfectly with the controversial artist's personae.
An examination of the evolution of commercials as an artistic medium, featuring interviews with media luminaries who relate how the in-your-face stylistic conventions of commercials have influenced feature films and the visual arts.
Set on May 18, 1993—the day on which Denmark voted to join the European Union, just a few months after they'd voted not to do so—the film follows eight or so disparate Danes (an escaped mental patient, a newly-famous singer, a business executive, and their assorted families and cohorts) as they unwittingly alter one another's lives, for better and for worse.
An old tango singer tries to contact his teenage son. A woman who is death or the Devil appears to him and asks him to sell his soul to connect with his son again.