FRONTLINE offers a tough, insider's examination of the culture and tactics of the national press corps. With public respect for the press at an all-time low-----on par with public regard for politicians----journalists have begun to break ranks to probe what has gone wrong. FRONTLINE follows the nation's top political journalists along the 1996 presidential campaign trail and behind the scenes of the weekly talk shows where reporters are transformed into celebrity pundits. Through the eyes of a few key journalists, this report explores the dynamics of the news business and its troubling impact on American politics.
Fearful that the Russians would continue their lead in the space race and be the first to put a man on the moon, NASA felt an enormous pressure to push the Apollo Program forward as quickly as possible, though they knew that pushing too hard could lead to the ultimate disaster.
BEAUTIFUL FUNERALS is a hand-painted double-step-printed film composed of 1) dense blackness variously punctuated by brilliantly colored jewel/flower-like shapes AND 2) interruptive white sections which are fuzzily dotted with blurred whites and criss-crossed by black "brushstrokes" and hard-edge straight black and white lines.
A jaded Lower East Side couple have become bored of straight sex, in a bid to spice things up, they decide to imitate some rough sex scenes as seen on TV.
Charn is working on his thesis to convert the Concert Hall project to Music Complex, and his advisor suggests him to see Gerrard for any information regarding the project.
