Wilfred Owen and Siegfried Sassoon, two of England's most important World War I poets are sent, along with other traumatized combatants, to a rest home in order to treat their emotional troubles, caused by the psychological fatigue that suffer the soldiers fighting in the no man's land.
Two years after the Woodsboro murders, Sidney Prescott acclimates to college life while someone donning the Ghostface costume begins a new string of killings.
Hailed by some as a cinematic genius, a feminist voice and a true maverick of American cinema, dismissed by others as a voyeuristic fraud and the "world's worst director," Henry Jaglom obsessively confuses and abuses the line between life and art.