4 guys kidnap random people from the street, take them to a remote forest and give them 3 choices: run away, kill us or die. The film follows the fate of one of their victims. That's the plot, if one can really call it such. The film is basically a 45 minute short shot on video by a group of friends in a wood. The budget was basically "bring your own blood packs guys", and it can't have taken more than a day or two to film. If you thought VERSUS was low budget, DOWN TO HELL will recalibrate your scale. It seems hardly fair to criticise a film made in the conditions of DOWN TO HELL for any of the above things though - taken as a bunch of friends spending a couple of days in a wood with a video camera, it's quite a fun experience. Nothing like the adrenalin fix of VERSUS though, and make absolutely no mistake - if it weren't for the success of VERSUS there's no way anybody would be watching DOWN TO HELL now.
Leon, the top hit man in New York, has earned a rep as an effective "cleaner". But when his next-door neighbors are wiped out by a loose-cannon DEA agent, he becomes the unwilling custodian of 12-year-old Mathilda.
In a future where a failed global-warming experiment kills off most life on the planet, a class system evolves aboard the Snowpiercer, a train that travels around the globe via a perpetual-motion engine.
Brooklyn mobster and prolific hit man Jimmy Conlon has seen better days. Longtime best friend of a mob boss, Jimmy is haunted by the sins of his past—as well as a dogged police detective who’s been one step behind Jimmy for 30 years.
This animated adventure retells the story of the lost daughter of Russia's last czar. The evil Rasputin places a curse on the Romanov family, and Anastasia and her grandmother, Empress Maria, get separated.
Russian terrorists conspire to hijack the aircraft with the president and his family on board. The commander in chief finds himself facing an impossible predicament: give in to the terrorists and sacrifice his family, or risk everything to uphold his principles - and the integrity of the nation.
When Rudy Baylor (Matt Damon), a young attorney with no clients, goes to work for a seedy ambulance chaser, he wants to help the parents of a terminally ill boy in their suit against an insurance company (represented by a ruthless Jon Voight).