31 December 1997 Drama 128 mins
Natural disasters are a regular feature of life for people living on the coastal area of Bangladesh. This is a saga about the vicissitudes of these people and their eternal struggle for life.
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Bashir Hossain Editor
Morshedul Islam Director
Morshedul Islam Story
Morshedul Islam Dialogue
Morshedul Islam Screenplay
M.A. Mobin Director of Photography
Bangladesh 31 December 1997
These some of the most viewed trailers for movies released in 1997:
10 April 1997
A documentary team gets a grant to do a film on a rare fatal disease that is attacking homeless people.
11 November 1997
A group of heroic warriors has only six days to save the planet in "Mortal Kombat Annihilation." To succeed they must survive the most spectacular series of challenges any human, or god, has ever encountered as they battle an evil warlord bent on taking control of Earth.
01 January 1997
In a backwoods cabin, a boy called Little Man lives with his dad (a trapper), his older sister Missy, and his younger sister Kid, who is feral, spends most of her time under the table, and can imitate the sound of any animal.
21 January 1997
The tumultuous affair between a young man and a woman twenty-five years his senior.
18 July 1997
Grieving the death of his girlfriend, Ashok visits his pal Hemanth. But the journey of healing takes a detour when Ashok begins to fall for Hemanth's devoted wife, Veena, who reminds Ashok of his lost love.
06 June 1997
Mafia is trying to force an Afghanistan war veteran Arseniy to become a contract killer.
16 September 1997
The celebrated three-act opera by Wolfgang Amadeus Mozart comes to life in this dynamic performance at the world-famous Salzburg Festival.
01 January 1997
The future of preservation is at stake in the digital age. Into the Future explores the hidden crisis of the digital information age.
01 January 1997
Landing (1997) is the story of a young Afro-German woman who wakes up to discover that she is invisible.
08 July 1997
Hailed by some as a cinematic genius, a feminist voice and a true maverick of American cinema, dismissed by others as a voyeuristic fraud and the "world's worst director," Henry Jaglom obsessively confuses and abuses the line between life and art.
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