Ever Is Over All envelops viewers in two slow-motion projections on adjacent walls. In one a roving camera focuses on red flowers in a field of lush vegetation. The spellbinding lull this imagery creates harmonizes with the projection to its left, which features a woman in sparkling ruby slippers promenading down a car-lined street. The fluidity of both scenes is disrupted when the woman violently smashes a row of car windshields with the long-stemmed flower she carries. As the vandal gains momentum with each gleeful strike of her wand, an approaching police officer smiles in approval, introducing comic tension into this whimsical and anarchistic scene. –MoMA
Hailed by some as a cinematic genius, a feminist voice and a true maverick of American cinema, dismissed by others as a voyeuristic fraud and the "world's worst director," Henry Jaglom obsessively confuses and abuses the line between life and art.
After a police chase with an otherworldly being, a New York City cop is recruited as an agent in a top-secret organization established to monitor and police alien activity on Earth: the Men in Black.
Grieving the death of his girlfriend, Ashok visits his pal Hemanth. But the journey of healing takes a detour when Ashok begins to fall for Hemanth's devoted wife, Veena, who reminds Ashok of his lost love.
Contained inside this box are the spirits of the Dark Carnival. To watch this video is to unleash ICP's voodoo magic into your life forever, A brave camera crew follows ICP and their deranged fans throughout Detroit and all across the country to try to capture some of the deadly insanity that surrounds ICP on film.
