"Domingo, what else but perfect!"26 April 1997Music100 mins
Princess Fedora, who is to marry the Count the following day, arrives and sings of her love for him, unaware that the dissolute Count has betrayed her with another woman. The sound of sleigh-bells is heard, and the Count is brought in mortally wounded. Doctors and a priest are summoned, and the servants are questioned. It is proposed that Count Loris Ipanov, a suspected Nihilist sympathiser, was probably the assassin. De Siriex (a diplomat), and Grech (a police inspector) plan an investigation. Fedora swears on the jewelled Byzantine cross she is wearing that Count Andrejevich's death will be avenged.
The three main soloists have voices on a scale that can compete with these flashy production values – White and Kasarova, in particular, sing at a level of intensity that would swamp anything less; the climactic seduction trio has rarely been sung so well or with such an overpoweringly polymorphous eroticism.
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This production from Covent Garden is set in Stockholm, and not Boston. With Reri Grist (Oscar), Placido Domingo (Gustavus), Katia Ricciarelli (Amelia), Piero Cappucili (Renato), Patricia Payne (? - the booklet or DVD fails to credit the singer) (Ulrica) and Claudio Abbado in the pit: all at their peak, you just simply cannot go wrong when purchasing this DVD.
Ghiaurov, Freni, and Bumbry were great voices in their time, and they are still effective here -- good enough musicians to put over the quite heavy vocal and expressive demands of their roles.
It truly is an historic performance. Domingo looking and singing like a god pouring out golden tones; Renato Bruson sounds, like the sublime Verdian Baritone that he was at that time; Nicolai Ghiaurov proves again that he was one of the greatest "Verdi Basses"; Mirella Freni shows that there was more to her than just being Mimi and Susannah-in fact I can remember reading that at the time of the premiere of this production that there were fist fights (not unusual in La Scala's gallery) between Mirella's many fans--between those fans that just wanting her to continue singing the light lyric repertoire that they were use to her singing and those that felt she should and could sing the lyric-spinto repertoire which, of course, she proved that,indeed, she could (She's still singing more than twenty years later).
When the most voluptuous, sought-after courtesan in the world meets an ascetic monk whose life is devoted to God, you know erotic sparks are going to fly.
At the end of 2013, the year that marked the 50th anniversary of Francis Poulenc’s death, his gripping and moving operatic masterpiece, Dialogues des Carmélites was staged in Paris by director Olivier Py with a cast featuring some of France’s finest female singers – Patricia Petitbon, Véronique Gens, Sandrine Piau and Sophie Koch – under the baton of Jérémie Rohrer.
Felicity Lott, Anne-Sofie Von Otter, and Kurt Moll star in this production of Richard Strauss' opera, staged in Vienna in 1994.
Alternative movies trailers for Fedora
More movie trailers, teasers, and clips from Fedora:
FEDORA by Umberto Giordano (video trailer)
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Fedora (1978) - SPA
Fedora - Estreno el 8 mayo 1981 In DVD/ Blu-ray: 10 de febrero 2015 Director: Billy Wilder Con Marthe Keller William Holden Hildegard Knef Fedora la ex ...
GIORDANO: Fedora (La Scala 1993) [Arthaus 107143]
Arthaus Musik DVD Trailer: Giordano's Fedora (Arthaus Musik Catalogue No. 107143) Date Released: May 2010 More Info.
Fedora - Ed ecco il suo ritratto… - Mirella Freni - Roberto Abbado - Metropolitan Opera (1997)
"Ed ecco il suo ritratto… O grandi occhi lucenti di fede! O vasta fronte di me pensosa!" Umberto Giordano "Fedora" Metropolitan Opera New York (1997) Mirella ...
Tex Murphy - Project Fedora
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Fedora: 'O grandi occhi lucenti'
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