"Love, Dreams, Freedom. It was a time when the four of them felt a clear breeze upon them..." 15 March 1997 92 mins
A new teen drama starring pop group MAX (Mina, Lina, Nana, Reina).
Watch the official Give me a Shake - Ladies MAX 1997 trailer in HD below or find more Give me a Shake - Ladies MAX videos on Vidimovie.
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Minako Ameku as Mina
Reina Miyauchi as Reina
Ritsuko Matsuda as Lina
Nanako Takushi as Nana
Masayoshi Nogami as Minaの父
Japan 15 March 1997
These some of the most viewed trailers for movies released in 1997:
19 August 1997
Jamie is a makeup artist for a local bikini contest on the beautiful South Beach of Miami. Her life appears to be falling apart when her boyfriend leaves her in a jealous rage.
17 September 1997
The Director reflects upon and seeks to understand the causes and the events that lead to her drug-addicted prostitute daughter being murdered at the age of 26.
01 January 1997
Azam, who is convicted on charges of robbery is finally released after serving a 17-year sentence. With hopes of starting life anew, he hopes to reconcile with his family.
01 January 1997
The future of preservation is at stake in the digital age. Into the Future explores the hidden crisis of the digital information age.
07 September 1997
A documentary portrait of the backstage efforts to stage the play Moon Over Buffalo on Broadway.
01 February 1997
Documentary about the life and works of Italian filmmaker Roberto Rossellini.
12 July 1997
Ashitaka, a prince of the disappearing Emishi people, is cursed by a demonized boar god and must journey to the west to find a cure.
11 September 1997
To resupply the protoblood that sustains Kai's life, the crew of the Lexx travel back to the Cluster but find the planet deserted.
08 July 1997
Brakhage's lecture at the Whitney Museum is a thoughtful meditation on another friend and fellow filmmaker Gregory Markopoulos.
05 January 1997
From the vaults of Penthouse Video comes never-before-seen footage so erotic, so provocative, that only now can it finally be released.
08 July 1997
Hailed by some as a cinematic genius, a feminist voice and a true maverick of American cinema, dismissed by others as a voyeuristic fraud and the "world's worst director," Henry Jaglom obsessively confuses and abuses the line between life and art.
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