Two years after the Woodsboro murders, Sidney Prescott acclimates to college life while someone donning the Ghostface costume begins a new string of killings.
Hailed by some as a cinematic genius, a feminist voice and a true maverick of American cinema, dismissed by others as a voyeuristic fraud and the "world's worst director," Henry Jaglom obsessively confuses and abuses the line between life and art.
Based on a novel of Segio Atzeni. By a lot of interviews, usualy contradictory, it discovers the many lifes of Tullio Saba, a Sardinian miner, thief, singer, union organizer, rebel.
Grieving the death of his girlfriend, Ashok visits his pal Hemanth. But the journey of healing takes a detour when Ashok begins to fall for Hemanth's devoted wife, Veena, who reminds Ashok of his lost love.