The story is the closure, the film is how pain and anxiety are carried by the wind. There is no use trying to exert control, it only causes the pain/anxiety to linger. It must run its natural course. The Mistral can be beautiful and terrible, if it catches onto you/your soul becomes wrapped in its temper. It dances over the water changing its course to make your light unpredictable, terrible but beautiful ... solo or in tandem. The story is the jazz by which these events take place. To exert any force over the film would not be the story. I am consumed by the flame.
A taxi driver, a young girl and a backpacker simultaneously experience a wonderful journey in Tokyo, where they find connections to their own homes in Africa, Europe and Southeast Asia.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time.
Jonas Mekas transforms footage of the Ringling Brothers Circus into a rapid-fire montage set to music, structured in four segments that highlight different acts.
Intended as a call to action, this UNICEF-sponsored film juxtaposes the fears experienced by children around the world as a means of awakening audiences to the struggles seen abroad.
Sunny. Semantic sequences guide the gaze, a gaze that is sometimes raised, propelled downwards, then too high or motionless in front of an unrecognizable and yet so familiar vision.
Three detectives in the corrupt and brutal L.A. police force of the 1950s use differing methods to uncover a conspiracy behind the shotgun slayings of the patrons at an all-night diner.
In 2047, a group of astronauts are sent to investigate and salvage the starship Event Horizon which disappeared mysteriously seven years before on its maiden voyage.
When she receives word that her longtime platonic pal Michael O'Neal is getting married to debutante Kimberly Wallace, food critic Julianne Potter realizes her true feelings for Michael -- and sets out to sabotage the wedding.
HBO (in association with the American Film Institute) presents this 1997 anthology, narrated by Liev Schreiber, which looks at sports in cinema from the earliest silent films until the nineties.
Two years after the Woodsboro murders, Sidney Prescott acclimates to college life while someone donning the Ghostface costume begins a new string of killings.
