"I wanted to make a film instead of a commercial. —George A. Romero"01 December 1997Factual11 mins
From the legendary director who redefined the zombies in film industry (George A. Romero), comes a bold new vision that blurs the line between game and horror cinema. Follow the camera behind the scenes of one of the most talked-about TV commercials ever made, created in collaboration with Brad Renfro and some of Hollywood’s top talent. Based on the world of Resident Evil, the hit survival horror game that had already terrified millions since its debut in 1996, this commercial heralds the arrival of its highly anticipated sequel. Breaking a two-year silence, director Romero returns with a haunting production of cinematic ambition. With a staggering budget of over 150 million yen (more than one million USD), the shoot took place on a chilling replica of a Los Angeles police station, transformed into the shadowy world of Raccoon City.
Alice returns to where the nightmare began: The Hive in Raccoon City, where the Umbrella Corporation is gathering its forces for a final strike against the only remaining survivors of the apocalypse.
Finding love is never easy. For Ravi Patel, a first generation Indian-American, the odds are slim. His ideal bride is beautiful, smart, funny, family-oriented, kind and—in keeping with tradition—Indian (though hopefully raised in the US).
Hear it straight from the Legends themselves about their stories of success and heartbreak. EVOLUTION OF BODYBUILDING offers a close look at what it takes to compete in the "Mr.
Camel racing is a popular sport in the Middle East. In past years, thousands of young boys have been trafficked from Bangladesh, Pakistan, Mauritania and other countries to work as jockeys in the UAE under excruciating conditions.
A lyrical and nostalgic analysis of how Casablanca, the mythical film directed by Michael Curtiz in 1942, has influenced both film history and pop culture.
Based on a novel of Segio Atzeni. By a lot of interviews, usualy contradictory, it discovers the many lifes of Tullio Saba, a Sardinian miner, thief, singer, union organizer, rebel.
Wilfred Owen and Siegfried Sassoon, two of England's most important World War I poets are sent, along with other traumatized combatants, to a rest home in order to treat their emotional troubles, caused by the psychological fatigue that suffer the soldiers fighting in the no man's land.
Marjetka is living ten years with Maks, who is a painter, and an uncompromising conceptual artist. At first, it seemed different: Max was witty, charming, talented and promising, so he hired Marjetka to reach fame and success.
