Inspector Kishan lives a middle-class lifestyle in Mumbai, India, along with his younger brother, Rahul. He is in love with Kavita, the daughter of a Mantri, Dindayal Kallu, while Rahul is in love with Neena. The city is being held to ransom by corrupt politicians like Rana Jung Bahadur who openly associate with gangsters and criminal dons like Chaurasia, Rajeshwar and his brother, Lankeshwar. But when Chaurasia decides to take the larger share of the underworld market, a gang-war breaks out. When Inspector Kishan attempts to arrest Chaurasia, he is warned by his superior, ACP. Rahul then witnesses a murder being committed by Chaurasia's goon, Surya, but before he could do anything, he himself is killed.
Raftaar Singh is always looking to have fun and runs away from responsibility. Fed up, his father orders Raftaar to go to Goa and work, and learn to take on responsibility.
After having witnessed the gruesome murder of his father, Harish's plans for revenge go for a toss when he is framed by the same mafia boss who killed his father.
Havaldar Balkar Singh, Captain Dhananjay Shergill and Lieutenant Sahil Naqvi are amongst numerous fatalities on India's side in the 1999 Kargil war against Pakistan.
Two brothers, as different as chalk and cheese, find their lives intertwined when one puts himself in danger via a `get rich quick' scheme and the other finds there is a price on his head.
HBO (in association with the American Film Institute) presents this 1997 anthology, narrated by Liev Schreiber, which looks at sports in cinema from the earliest silent films until the nineties.
In a backwoods cabin, a boy called Little Man lives with his dad (a trapper), his older sister Missy, and his younger sister Kid, who is feral, spends most of her time under the table, and can imitate the sound of any animal.
Marjetka is living ten years with Maks, who is a painter, and an uncompromising conceptual artist. At first, it seemed different: Max was witty, charming, talented and promising, so he hired Marjetka to reach fame and success.
Hailed by some as a cinematic genius, a feminist voice and a true maverick of American cinema, dismissed by others as a voyeuristic fraud and the "world's worst director," Henry Jaglom obsessively confuses and abuses the line between life and art.
