The Berliner Philharmoniker’s New Year’s Eve Concert: 1997 Trailer (1997)
"The Berlin Philharmonic Orchestra Rings in the New Year."31 December 1997Music92 mins
The annual New Year’s Eve Concert is one of the highlights in the calendar of every classical music fan in Berlin and beyond. On New Year‘s Eve, the Berliner Philharmoniker invite an exceptional soloist for a festive gala. Together, the musicians bid farewell to the old year and welcome the new. The 1997 concert was conducted by Claudio Abbado and featured Roberto Alagna (tenor), Anne Sofie von Otter (mezzosoprano), Bryn Terfel (baritone), Gil Shaham (violin), Mikhail Petnev (piano) performing: Georges Bizet: Carmen (Excerpts), Sergej Rachmaninov: Rhapsody on a theme of Paganini, Pablo de Sarasate: Carmen Fantasy, Op. 25, Maurice Ravel: Rhapsody Espagnole, Manuel de Falla: El Amor Brujo - Ritual Fire Dance, Johannes Brahms: Hungarian Dance No. 5.
With almost 40 years of history and hits behind them, Steve Miller Band has churned out some of the greatest and most memorable anthems of their generation.
500 noches para una crisi is the sixth live album of Joaquin Sabina. The concert was recorded live in Luna Park (Argentina) September 20th, 2014 and is composed of the song performed while on tour.
The brothers Gibb perform their greatest hits from the 60's, 70's, 80's and 90's including many songs written for and made hits by other artists but never recorded by the Bee Gees themselves.
This is a great looking concert video that benefits from uniform, relatively "normal" looking stage lighting that doesn't bury the singers and instrumentalists in weird tones.
Here’s the Sex Pistols – the original Sex Pistols, with Glen Matlock on bass – in an intense, non-stop onslaught of pure punk rock in a 1996 reunion tour, shot at the fabled Nippon Budokan in Tokyo.
Will Hunting is a headstrong, working-class genius who is failing the lessons of life. After one too many run-ins with the law, Will's last chance is a psychology professor, who might be the only man who can reach him.
Hailed by some as a cinematic genius, a feminist voice and a true maverick of American cinema, dismissed by others as a voyeuristic fraud and the "world's worst director," Henry Jaglom obsessively confuses and abuses the line between life and art.
How could this privileged man of overwhelming accomplishment and talent be suicidal? Journey through the 84 years of the 20th century that are Waite's World with his friends, coworkers, and family for a unprecedented inside look at an extraordinary talent.
