Joe Winston's award-winning account of America's largest countercultural event. Thousands of people gather each summer in the Nevada desert to erect and burn a 40-foot tall human effigy. A temporary city rises from the dust and 100-degree heat, and a sort of anarchist society emerges. Festival goers strut naked, dance in the mud, create theatrical "Theme Camps," invent religions, shoot automatic weapons at stuffed animals, or whatever else they don't get enough of at home.
Marjetka is living ten years with Maks, who is a painter, and an uncompromising conceptual artist. At first, it seemed different: Max was witty, charming, talented and promising, so he hired Marjetka to reach fame and success.
Hailed by some as a cinematic genius, a feminist voice and a true maverick of American cinema, dismissed by others as a voyeuristic fraud and the "world's worst director," Henry Jaglom obsessively confuses and abuses the line between life and art.
Based on a novel of Segio Atzeni. By a lot of interviews, usualy contradictory, it discovers the many lifes of Tullio Saba, a Sardinian miner, thief, singer, union organizer, rebel.
Will Hunting is a headstrong, working-class genius who is failing the lessons of life. After one too many run-ins with the law, Will's last chance is a psychology professor, who might be the only man who can reach him.
