A cinepoetry about the demolition of University of Tokyo’s student residence (known as “Komaba-ryo” [駒場寮]) after it was closed down. In this film, Sekine metaphorically depicts the record of the demolition as “passage of time” through some images (many of which evoke “stream”) and the phantom. As a side note, the phantom is played by experimental filmmaker Erice Matsui [松井エリセ]. She ran an art gallery in the place and held independent screenings called “Theatre Moon” [テアトル・ムーン].
In a backwoods cabin, a boy called Little Man lives with his dad (a trapper), his older sister Missy, and his younger sister Kid, who is feral, spends most of her time under the table, and can imitate the sound of any animal.
A story about Boyong, the master barber, and Apolinario, Boyong's nephew and apprentice. They man their shabby barbershop, dreaming of hitting the big time someday.
Grieving the death of his girlfriend, Ashok visits his pal Hemanth. But the journey of healing takes a detour when Ashok begins to fall for Hemanth's devoted wife, Veena, who reminds Ashok of his lost love.
