In the years following Jesus’ resurrection, the disciples learn to practice His teachings. While working at the salt mine, James witnesses two fellow prisoners fighting to be number one. He remembers being with Jesus as He embraced the children and humbly kneeled to wash the disciples’ feet. Through this we learn that the way to greatness in His kingdom is not found in how many serve you, but in how many you serve.
Sid the Sloth takes a school of children out on a camping trip from home, only to find that in typical Sid style, he is not a very good guide and the children he takes with him don't have a very good time.
Marcelle Toing, owner of the best restaurant in Rio de Janeiro, must go on missions to steal ingredients from human restaurants to keep his meals the best.
The week before Halloween, Jason Hollway's parents separate, and his dad moves out. Jason is depressed and doesn't want to go trick or treating with his friends Jenn, Ted, and Austin.
In this one, Max has run low on ink, so Ko-Ko finishes drawing himself and then heads over to the camera room, where he creates his own characters, a mechanical dancing Dresden doll with whom he falls in love and a couple of automaton musicians.
In a return to the Out of the Inkwell format, Betty Boop invents a pep formula to speed up lazy Pudgy, but it escapes into the real world with rapid results.
In a backwoods cabin, a boy called Little Man lives with his dad (a trapper), his older sister Missy, and his younger sister Kid, who is feral, spends most of her time under the table, and can imitate the sound of any animal.
HBO (in association with the American Film Institute) presents this 1997 anthology, narrated by Liev Schreiber, which looks at sports in cinema from the earliest silent films until the nineties.
Based on a novel of Segio Atzeni. By a lot of interviews, usualy contradictory, it discovers the many lifes of Tullio Saba, a Sardinian miner, thief, singer, union organizer, rebel.
Hailed by some as a cinematic genius, a feminist voice and a true maverick of American cinema, dismissed by others as a voyeuristic fraud and the "world's worst director," Henry Jaglom obsessively confuses and abuses the line between life and art.
