The year after the end of the war, in Bosnia and Herzegovina, Nikolaus Geyrhalter questions Serbs, Bosnians and Croats on the consequences of the conflict, following them if necessary as they move from lodging to lodging. The use of depth of field, which sets the protagonists in the foreground of a landscape unfolding around them, in itself sums up the filmmaker’s approach: taking the opposite stance to the one-dimensional televised image, for which war is above all a news item, he shows both the more particular – the upheaval of human lives – and the more general – what happens once the conflict has officially ended. As one of them says: “It’s easy to light a fire. It’s putting it out that takes time.”
84 years later, a 101-year-old woman named Rose DeWitt Bukater tells the story to her granddaughter Lizzy Calvert, Brock Lovett, Lewis Bodine, Bobby Buell and Anatoly Mikailavich on the Keldysh about her life set in April 10th 1912, on a ship called Titanic when young Rose boards the departing ship with the upper-class passengers and her mother, Ruth DeWitt Bukater, and her fiancé, Caledon Hockley.
Contact is a science fiction film about an encounter with alien intelligence. Based on the novel by Carl Sagan the film starred Jodie Foster as the one chosen scientist who must make some difficult decisions between her beliefs, the truth, and reality.
Russian terrorists conspire to hijack the aircraft with the president and his family on board. The commander in chief finds himself facing an impossible predicament: give in to the terrorists and sacrifice his family, or risk everything to uphold his principles - and the integrity of the nation.