This film explores the complexity of female infanticide in southern India and shows steps that are being taken to eradicate the practice. Every year in India thousands of baby girls are killed. Partly because of the dowry system which makes a daughter a liability to a family. In a country where being a woman means living a life of hardship, the murder of female infants may be seen by the mothers as being a humane solution. URISE, a non-governmental agency, is working in the villages to promote the idea among women that female children are equal in the eyes of the law and can be an asset in the family, setting up associations called sanghams to support pregnant women and mothers in their decision to keep their daughters. When a girl is born, the sanghams celebrates her arrival with gifts, showing that a girl is something to be valued. This sensitive film does not dwell on the horrors of the practice. Rather, it allows the women to speak for themselves showing how they can be empowered.
Five women veterans who have endured unimaginable trauma in service create a shared sisterhood to help the rising number of stranded homeless women veterans by entering a competition that unexpectedly catalyzes moving events in their own lives.
Béatrice Dalle, Lio, Brigitte Fontaine, Corinne Masiero, Aïssa Maïga, Virginie Despentes, Maria Schneider, Gisèle Halimi, Juliette Gréco, and Adèle Haenel—these women lived on their own terms, defying conventions and embracing lives often deemed "scandalous.
Nanny, cook or sex slave. For a long time, the mistaken belief that the women in the terrorist organization Islamic State were condemned to blind obedience was held up.
In the years following the Civil Rights movement and the passage of Title IX in 1972, Dr. Donnis Thompson (a headstrong African-American female coach), Patsy Mink (the first Asian-American U.
Examines the 40-year evolution of gender inequality and discrimination in the workplace since the 1980 release of the comedy film “9 to 5” starring Jane Fonda, Lily Tomlin, Dolly Parton, and Dabney Coleman.
Martha Gellhorn, Ruth Cowan, Dickey Chappelle: Three tenacious journalists who forged legendary reputations as war correspondents during a time when battlefields were considered no place for a woman.
Celebrate International Women’s Day with this brand new inspiring film from LETTERS LIVE. In “LETTERS LIVE from the Archive: International Women’s Day”, remarkable letters are read by a diverse array of outstanding luminaries, including stunning performances from Olivia Colman, Gillian Anderson, Daisy Ridley, Caitlin Moran, Rose McGowan, Adwoa Aboah, Louise Brealey and more.
The film accompanies two women who have left the Jewish ultra-orthdox community. While Sara is still struggling with the consequences of her pullout, Heidi is already fighting for the rights of women who have the courage to take this step.
Sparked by a public display of sexual harassment in 2012, GTFO pries open the video game world to explore a 20 billion dollar industry riddled with discrimination and misogyny.
Popular movie trailers from 1998
These some of the most viewed trailers for movies released in 1998:
Rising pop star Mima quits singing to pursue a career as an actress. After she takes up a role on a popular detective show, her handlers and collaborators begin turning up murdered.
By her own admission, Katy Manning is ‘as blind as a bat’ and never knows where she’ll end up. When she suddenly arrived in the UK, Katy was probably as surprised as the rest of us!
After their parents died, Wayne Travers (Randy Travis) began taking care of his mentally retarded brother Joey, a responsibility he was starting to regret.
On behalf of "oppressed bugs everywhere," an inventive ant named Flik hires a troupe of warrior bugs to defend his bustling colony from a horde of freeloading grasshoppers led by the evil-minded Hopper.
After Grandpa Reginald has won a large sum, he invites his family to go on vacation to South Africa. Here he plans to show his family stages from his eventful past, while they have completely different plans .
