In 1995, Chasen's closed its doors after 60 years of serving chili to movie stars and visiting dignitaries, Presidents and the Pope. During its two final weeks, Chasen regulars (actors and producers), staff, and management sat for interviews. There's an Oscar party for 1500, footage and photos of famous diners, and time with Tommy Gallagher, the ebullient head waiter until retirement in 1994, his son Patrick, catering head Raymond Bilbool, general manager Ronnie Clint, hat check girl Val Schwab, ladies' room attendant Onetta Johnson, and foreign- born waiters, including Jaime. When he started in 1970, like other Latins, he wasn't allowed out of the kitchen. It's a family farewell.
When an arranged marriage brings Ada and her spirited daughter to the wilderness of nineteenth-century New Zealand, she finds herself locked in a battle of wills with both her controlling husband and a rugged frontiersman to whom she develops a forbidden attraction.
Reluctantly, a sulky adolescent returns to her parents' house for yet another boring summer vacation, dabbling in desire and the art of desirability, eventually mixing reality with vision, caged fantasies with the fierce female sexuality.
A committed filmmaker struggles to complete his latest project while coping with a myriad of crises, personal and professional, among the cast and crew.
Miss Meadows is a school teacher with impeccable manners and grace. However, underneath the candy-sweet exterior hides a ruthless gun-toting vigilante who takes it upon herself to right the wrongs in the world by whatever means necessary.
This short autobiographical film written by Dexter Fletcher is about a down-on-his-luck man in London who lives in his car, trying to get by for one more day.
After Grandpa Reginald has won a large sum, he invites his family to go on vacation to South Africa. Here he plans to show his family stages from his eventful past, while they have completely different plans .
A Donatello award winning short drama about the young Carlotta who stops off on her way to be married to see her ageing grandfather whom she hasn't seen for many years.
Eisenstein shot 50 hours of footage on location in Mexico in 1931 and 32 for what would have become ¡Que viva México!, but was not able to finish the film.
