Enter the bizarre world of Thraxton Hall, where Jarvis, Lord of the Manor, indulges in his wildest, darkest fantasies! Part torture chamber, part Turkish bath, part homicidal nightmare, this ramshackle monstrosity is actually his imaginary creation, his escape from a dead-end existence, fueled by his passion for silent horror films.
Servais Mont, a freelance photographer who works taking compromising photos, gets fascinated by Nadine Chevalier, a tormented low-budget movie actress married to an eccentric film photo collector.
A gang of leather-clad, powerful women take over a traditionally male domain, and hairspray, eyeliner, and bare flesh are on full display in Beth B’s music video for the Arthur Baker–produced club hit from synthpop band Dominatrix.
Underground Italian extremely gory, gross-out "comedy" (in early John Waters vein) about a badly burnt morphine junkie who is turned into a zombie after he gets injected with infected urine by his pug-ugly, crazy sister.
Queen of China (Hanoi Hanna), based on Ronald Tavel’s scenario, loosely refers to the real-life radio show host who broadcast antiwar propaganda to American soldiers in Vietnam.
The strong bond between two Royal Egyptian brothers is challenged when their chosen responsibilities set them at odds, with extraordinary consequences.
When Hong Kong Inspector Lee is summoned to Los Angeles to investigate a kidnapping, the FBI doesn't want any outside help and assigns cocky LAPD Detective James Carter to distract Lee from the case.
Eisenstein shot 50 hours of footage on location in Mexico in 1931 and 32 for what would have become ¡Que viva México!, but was not able to finish the film.