Michael Gondry's examination of childhood love is replete with his trademark surreality. One evening at the turn of the century, Stephane discusses with his brother the end of the millenium, but also girls, particularly Aurelie, a classmate with whom he is secretly in love. The following day, Aurelie has a letter to give to him....
Hermitage, defined by Bene as "a rehearsal for lenses", beyond any literal rendition - its narrative trace comes from one of his anti-novels, Credito Italiano V.
Hoping to find a sense of connection to her late mother, Gorgeous takes a trip with her friends to visit her aunt's ancestral house in the countryside.
With input from actor and writer Jan Hlobil, director and cinematographer Rene Smaal presents a film in the true surrealist tradition, in the sense that only 'found' elements were used, and that it defies interpretation based on ordinary cause-and-effect time sequence.
A production company begins casting for its next feature, and an up-and-coming actress named Rose tries to manipulate her filmmaker boyfriend, Alex, into giving her a screen test.
A taxi driver, a young girl and a backpacker simultaneously experience a wonderful journey in Tokyo, where they find connections to their own homes in Africa, Europe and Southeast Asia.
This is the only feature directed by the famed French painter and sculptor Martial Raysse. In keeping with the revolutionary spirit of the time, the movie has no plot to speak of and appears to have been largely made up on the spot.
The cinematic kiss is probably one of the most archetypical images to be found in film history. It is usually a reassuring and sometimes climactic element in a movie's storyline.
Suzanne is waking up. In the fleeting moments before she forgets her dreams, she searches her subconscious for an answer to the question on the tip of her tongue.
The Dadaist, an eccentric creature who embodies the concept of the 20th century European avant-garde art movement Dadaism, destroys and mocks art pieces such as Leonardo Da Vinci’s Mona Lisa, whilst expressing his impulsive fury at logic and reason.
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