A film about the 5th International Film Festival of Cinematographers "Camerimage '97," which was held traditionally in Toruń from November 30 to December 6 last year. The author attempts to present the psychological and technical conditions of the cinematographer's profession and to sketch a collective portrait of those who practice it. The program includes interviews with the world's most outstanding cinematographers. Last year's festival brought together such great names as Ron Fortunato, Jack N. Green, and Vilmos Zsigmond. The film also shows workshops led by the best professionals in the field. Students exploring the secrets of this difficult art will talk about their expectations of the cinematographer profession. The individual sequences of the film have been composed by the director in such a way that they form a narrative sequence according to the growing emotions and moods, abstracting from the chronology of the festival events.
A portrait of film critic Carlos Boyero, one of the most followed and feared figures in Spanish cinema, surrounded by controversy and both love and hate.
Six elderly retired women, two from Buenos Aires, Argentina; two from Montevideo, Uruguay; and two from Madrid, Spain, have something in common, despite their different interests and lives: they go to the movies almost every day.
Óscar Peyrou is a veteran Spanish film critic who writes his reviews according to a very peculiar method: in his opinion, it is not really necessary to watch the films since it is possible to judge them simply by looking at their promotional poster.
A second-class horror movie has to be shown at Cannes Film Festival, but, before each screening, the projectionist is killed by a mysterious fellow, with hammer and sickle, just as it happens in the film to be shown.
A journey of years through many countries and film festivals; a nostalgic, adrenaline-fueled and rock-spirited immersion into the universe of cinephilia, in search of genre specialists, fans and filmmakers who speak of their shared passion for fantastic cinema; a whole international spiritual community united under the cathartic shadow of horror.
The Lion is the symbol of Venice, but also of courage: that of a city and - in our case - of a Film Festival and a media event that did not give up and stubbornly "wanted" to be realized in spite of the world around, of Codiv19 and the great uncertainty that dominates the global situation.
Going into my interview with Laurel Greenfield, I thought the majority of our conversation would be about her inspiration for painting food and why she chose to pursue painting as a career.
A woman who receives a revelation to BIFF like fate in a dream. She realizes it is only a few hours left for deadline after opening eyes! It is a dedicated movie for you who are still passionate today on the deadline between dream and reality.
Argentina, 1968. In the midst of the Cold War, the dictatorship of Juan Carlos Onganía (1966-70) organizes the 9th Mar del Plata Film Festival in order to show the world its friendly face, while exercising censorship and repressing dissidence.
A short documentary about the rapidly disappearing era of heritage movie palaces and the film going experience once offered within those hallowed walls.
For Ted, prom night went about as bad as it’s possible for any night to go. Thirteen years later, he finally gets another chance with his old prom date, only to run up against other suitors including the sleazy detective he hired to find her.
The strong bond between two Royal Egyptian brothers is challenged when their chosen responsibilities set them at odds, with extraordinary consequences.
Book superstore magnate Joe Fox and independent book shop owner Kathleen Kelly fall in love in the anonymity of the Internet—both blissfully unaware that he's trying to put her out of business.
He's the Hollywood Heartthrob who starred in the most successful movie in history, the $2 billion theatrical box office blockbuster Titanic and received am Academy Award nomination when he was still in his teens.
This short autobiographical film written by Dexter Fletcher is about a down-on-his-luck man in London who lives in his car, trying to get by for one more day.
Comments
Have you watched Więcej światła. Festiwal operatorów filmowych Camerimage '97 yet? What did you think about it?
