Nas Correntes de Luz da Ria Formosa (In the Rays of Light of Ria Formosa) is a kind of documentary shot over a period of 3 months in summer of 1997 and then edited over the next 2 and a half years. The work is a spiritual portrait of a place and time. It is, as is Cabanas, willfully slow, meditative, passive. It has no evident narrative, though I hope I was able in my editing and other choices to impart a kind of slowly developing momentum which functions vaguely like a narrative, or like the melodic line in a piece of music. Finally LUZ is about light, and philosophically about life, and our place on this planet, and its place in the universe.
This French-German-Dutch biopic on the life of 17th century Dutch master Rembrandt van Rijn is told in flashbacks from the point-of-view of the aged artist.
Maria earns her living fishing in a northern Peruvian village, working alongside her husband. But when her husband is called away to work on larger industrial fishing boat, Maria, who is pregnant, finds ways to act out her anger.
For 750 years, the local colosseum was the only place to go if you were looking for some action. What began as human sacrifice during funeral rites for wealthy families resulted in a violent, bloody battle staged in front of 50,000 fans.
A film about fate, co-existence, vanity, justice, karma and forgiveness, ANIMALICOUS comprises six stories of people and the animals that shot them, fell on them, and generally caused mayhem of one sort or another.
Comments
Have you watched In the Rays of Light of Ria Formosa yet? What did you think about it?
