Joaquim Bravo (Évora, 1935 - Lisbon, 1990) exhibited for the first time in 1964, inaugurating what would become one of the most decisive Portuguese galleries, the 111 in Campo Grande. Its doctrinal influence and its enormous capacity for enthusiasm would mark in the early sixties Évora's group of painters (Lapa, Palolo) and, in the 80's, artists such as Xana and Cabrita Reis. At his death, a moving tribute was paid to him by a huge and varied group of artists ranging from João Vieira to Miranda Justo. His work is scattered in a large number of private and institutional collections.
Skeptical young detective Ichabod Crane gets transferred to the hamlet of Sleepy Hollow, New York, where he is tasked with investigating the decapitations of three people – murders the townsfolk attribute to a legendary specter, The Headless Horseman.
A California congressman's wife and daughter are abducted and held hostage in a historic hotel. Logan McQueen is rushed to the scene to assist his former partner, Charlie Duffy, who has been taken captive trying to broker the ransom deal.
Two Canadian women return to the Netherlands to recount the terrifying ordeal they experienced as children at the hands of the Nazis, and to connect with the individuals and families who risked their lives to save them.
London bookstore owner William Thacker's quiet life turns upside down when a chance encounter with famous actress Anna Scott sparks an unlikely romance challenged by their vastly different worlds.
To promote the release of his album Garth Brooks in... The Life of Chris Gaines, Garth Brooks appeared as Chris Gaines in a television "mockumentary," a version of VH1's seminal cable classic Behind the Music, featuring a totally made-up tale that just may be the greatest rock n' roll documentary ever made.
On one random day in the San Fernando Valley, a dying father, a young wife, a male caretaker, a famous lost son, a police officer in love, a boy genius, an ex-boy genius, a game show host and an estranged daughter will each become part of a dazzling multiplicity of plots, but one story.
Comments
Have you watched Joaquim Bravo, Évora 1935, Etc. Etc. Felicidades yet? What did you think about it?
