Jennifer and Amber Cluck accompany a montage of potentially homoerotic touching from TV sportscasts with a song about being "in love with a guy who's afraid to use his charms."
Hoping to find a sense of connection to her late mother, Gorgeous takes a trip with her friends to visit her aunt's ancestral house in the countryside.
"A Motion Selfie" is one-of-a-kind DIY filmmaking: a darkly comic chronicle following a year in the life of a washed-up viral video star and the sexually depraved stalker who becomes obsessed with his work.
A high school student attempting to complete his musical opus keeps getting distracted by the intense fights of his mentally imbalanced father and overly doting mother.
In this child's game, a live-action boy and girl draw characters and compete who is better. The girl draws a flower and the boy draws a car that runs it over.
Four high school friends hatch a plan for a farcical heist that sends them spiraling into a series of surreal events littered with clowns, fast food, and ‘rakenrol’, in an even more absurd nation of squalor and entertainment.
A tribute to Mallarmé that not only asserts the continuing relevance of his work but also confronts its literary ambiguities with political and cinematic ambiguities of its own.
Drama based loosely on the final years of Kenya game warden and lion-raiser George Adamson's life. An unofficial sequel to 'Born Free' (1966) and 'Living Free' (1972), which also dramatized the life of Adamson, this film picks up the life of George on the African wildlife preserve he runs with the help of his brother Terrence.
CORPUS explores the mass adulation and explosive posthumous recognition of Selena Quintanilla, the Tejano rock singer murdered by the president of her fan club in 1995.
Mario and Berto are brothers and they live in Galicia at the “Finis Terrae”. Their father left them when they were children and they grew up with the idea of finding him someday, without knowing that they were the ones separating from each other.
Based on an autobiographical novella by Ivan Olbracht, the film tells the story of Hanele Safarová, who grows up just after the First World War in a little Ruthenian schtetl which, in true Hassidic fashion, awaits the arrival of the Messiah.
Two Canadian women return to the Netherlands to recount the terrifying ordeal they experienced as children at the hands of the Nazis, and to connect with the individuals and families who risked their lives to save them.