The animated adventures of "Tonka Tom" a gay plastic cowboy. Hitch-hiking, two-stepping at the local gay bar, and enjoying a campfire with a friend and his trusty dog.
The cycling season is nearing its grand finale. During the final race, the two men in the lead are competing for more than the Grand Trophy; they are fighting for the affection of a lady and fulfilment of their erotic fantasies.
The black forest in the 19th century. A magic place with ghosts, good and bad, living in it. Peter Munk is a poor but goodhearted young man, desperately wishing to be rich.
Prelude 14 begins in deep brilliant red which darkens into deeper reds and lavender shapes, disrupted by a variety of colors settling into browns and grays and shapes most rock-like, all of which is then shot-thru with sufficient yellow to break up all hard-edge form and give a molten aspect to the mixtures of shapes.
Two characters finding hope and coming together in the bleakest of moments. One marooned on a desolate planet and the other crash landing on the same planet.
The story begins with a parody of a familiar folklore about a rabbit and an earthworm chasing after each other, but the warm atmosphere changes completely to a succession of surreal images, and the story dismantles.
A flash of light splits the darkness, revealing a mysterious image. The images are rapidly replaced with sharp noise that combines wave-like repetitiveness and explosiveness, and the flicker effect that it brings makes the viewer away from reality.
Greed, revenge, world dominance and high-tech terrorism – it's all in a day's work for Bond, who's on a mission to protect a beautiful oil heiress from a notorious terrorist.
Andy heads off to Cowboy Camp, leaving his toys to their own devices. Things shift into high gear when an obsessive toy collector named Al McWhiggen, owner of Al's Toy Barn kidnaps Woody.
A fairy-tale comedy about how a king decided to marry off both of his daughters on the same day. Princess Zlata is a true beauty who has no shortage of suitors.
Based on an autobiographical novella by Ivan Olbracht, the film tells the story of Hanele Safarová, who grows up just after the First World War in a little Ruthenian schtetl which, in true Hassidic fashion, awaits the arrival of the Messiah.
The documentary recounts Alan Conway's deception as Stanley Kubrick, exploiting misconceptions about Kubrick's appearance and people's desire for contact with a celebrity.