A travelogue as catharsis, "i was a strong man until i left home" blends footage from several trips across North America, by plane, train and car. Informed by principles of Imagist Poetry, Kerr turns his camera on familiar imagery of the American travel experience, yet renders the quotidian as abstract, the continuity of perception as fragments. Employing a method he refers to as 'Digital Sketching,' "i was a strong man until i left home" possesses the intimacy of a flip through an artist's sketchbook.
Antonio is a seventy-year-old gentleman, a former strict and impeccable judge. Having refused to accept his daughter's hospitality, he found himself in a strange place where, after completing an intensive course on the latest technologies of modern society, he will have to be adopted by families who request it.
A touching and tragic real life story about a group of Portuguese fishermen who get caught in the middle of a storm in the Tejo river (Lisbon) and struggle to survive.
Blow Debris similarly suggests narrative but prefers to offer it in the form of a drifting, almost aimless experience; the piece enacts a passage or journey as we follow a group of nude wanderers in a desert landscape.
Leonard Shelby is tracking down the man who raped and murdered his wife. The difficulty of locating his wife's killer, however, is compounded by the fact that he suffers from a rare, untreatable form of short-term memory loss.
When the self‑absorbed Emperor Kuzco is accidentally transformed into a llama, he must rely on a humble villager to survive the jungle and reclaim his throne.
A film about friendship and familiarity masking major secrets. When protagonists Beth and Ross gather all of their best friends together for an unruly drink and drug-fuelled party, the event is like many such evenings.
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