In A Hundred examines the experience of time; both as an ongoing linear progression, as well as a circular pattern of remembered fragments. The work puts forward the notion that "real" time encompasses both; one seemingly measured and mathematical, the other incalculable and personal. It is in the fragmented past of memory that the work places its sympathy. As time moves on the mind gathers an ever increasing bank of stored moments. The place of memory can at times be haunting, but it is also the only place where loss can be momentarily appease.
British mod rocker Steve Marriott had great stage presence, a unique voice and plenty of angst -- all on display in this docu-concert featuring clips from Marriott's days in bands the Small Faces and Humble Pie.
Biyaheng Langit tells the story of Bea, a young Filipino-American (Joyce Jimenez). Bea is bored; all she wants in life is to raise five thousand dollars so that she can live independently in the United States.
A benevolent landlord helps an ambitious girl who aspires to become a doctor. While the two spend time with each other, they fall in love and get married.
Blow Debris similarly suggests narrative but prefers to offer it in the form of a drifting, almost aimless experience; the piece enacts a passage or journey as we follow a group of nude wanderers in a desert landscape.
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Have you watched In a Hundred yet? What did you think about it?
