A high contrast, black-and-white architectural study of Manhattan skyscrapers, Megalopolis is a symphony of shapes and forms. Slivers of light and masses of darkness sweep across the screen in this wonderful, graphic work.
A man gets in a cab to meet a client. A bizarre car crash happens, and, throughout the story, the different characters seem to have some sort of connection with that fact.
Shortly after German reunification, three residents of a quiet area north of Berlin talk about their plans and attempts at new economic beginnings amid the changes brought by the fall of the Berlin Wall.
The band, Sexual Detergent, has been through a lot of ups and downs in its rise to the top of rock stardom, but their lowest point was when Neil Davis, its former front man, almost destroyed the dream.
After a teenager has a terrifying vision of him and his friends dying in a plane crash, he prevents the accident only to have Death hunt them down, one by one.
A wealthy New York investment banking executive hides his alternate psychopathic ego from his co-workers and friends as he escalates deeper into his illogical, gratuitous fantasies.
Blow Debris similarly suggests narrative but prefers to offer it in the form of a drifting, almost aimless experience; the piece enacts a passage or journey as we follow a group of nude wanderers in a desert landscape.
In 1960s Hong Kong, two neighbors form an intimate bond after making a discovery about their spouses in this visually stunning tale of unrequited love.
With computer genius Luther Stickell at his side and a beautiful thief on his mind, agent Ethan Hunt races across Australia and Spain to stop a former IMF agent from unleashing a genetically engineered biological weapon called Chimera.
Biyaheng Langit tells the story of Bea, a young Filipino-American (Joyce Jimenez). Bea is bored; all she wants in life is to raise five thousand dollars so that she can live independently in the United States.