This film of single-strand photography begins with the "fire" of reflective light on water and on the barest inferences of a ship. Throughout, the interwoven play of light and water tell the inferred "tale" of the film through rhythm, the tempo, through visible textures and forms in gradual evolution, through resultant "moods" generated by these modes of making, and, then, by the increasingly distant boat images, birds, animals, fleeting silhouettes of people and their artifacts, flotsam and jetsam of the sea-dead, as well as (near end, and almost as at a funeral) flowers in bloom, swallowed by darkness midst the crumbling of the sand castles.
In India, open romance is forbidden, as is showing affection in public. A college principal named Narayan is a strong believer in this, aware that a male student named Vicky is in love with Ishika; while another male student is hopelessly in love with Sanjana; and a third man named Karan is in love with a married woman named Kiran.
When record store owner Rob Gordon gets dumped by his girlfriend, Laura, because he hasn't changed since they met, he revisits his top five breakups of all time in an attempt to figure out what went wrong.
The making of a horror movie takes on a terrifying reality for students at the most prestigious film school in the country in 'Urban Legends: Final Cut', the suspenseful follow up to the smash hit 'Urban Legend'.