In this chapter of the No Ghost Just a Shell saga, Liam Gillick constructs a quiet but uncanny public installation—a space of benches, tables, and shelves—where the 3‑D animated Annlee speaks. She wears a black mourning gown as she addresses the history of her city, the construction of identity, and the tension between half-public, half-private spaces. Paired with ominous clicking sounds and halting breaths, the video evokes a vision of a fragile, haunted subject caught between memory and architecture.
In 2001 Woodshed Films released their third Moonshine Experiment surf movie entitled “Shelter.” With a similar style and feel to the first two Moonshine Experiments, “Thicker Than Water” and “September Sessions”, “Shelter” is one of Taylor Steele and Chris Malloy’s best productions.
In 1996, Tsurisaki Kiyotaka, one of Japan’s most infamous death photographers, ventured into the center of Hell itself - the Rue Morgue neighborhood of Bogota, Colombia.
This documentary begins with the story of the prelude to World War II, and goes on to analyze such events as the Treaty of Versailles, the League of Nations, rise of the dictators, the spread of fascism in Italy, the Japanese invasion of Manchuria, the Spanish Civil War, the Munich Agreement, Hitler's March into Czechoslovakia, the Blitzkrieg and invasion of Poland, the fall of Norway, and more.
A 2001 Japanese language film directed by Shinji Aoyama, starring Hidetoshi Nishijima. The film screened at Locarno International Film Festival in 2009.
