El Hadj is studying in Paris. He is one of the young Senegalese men who have come to Paris since the French colony became independent to get a good education so that he can serve his fatherland on his return. Unexpectedly he is suddenly confronted by a problem with his residence papers, just because he has arranged an extension too late. His pleasant life filled with good prospects has gone in one fell swoop. He faces a dilemma. He can stay illegally in France, the country where he feels at home, where he has his friends, has fallen in love and can drink water from the tap. Or he can return (without graduating) to the 3rd-world country of Senegal to use the knowledge he has acquired. It is not only a practical choice. It comes down to the question of who he is, who he thought he could be.
In early 1860s New York, Irish immigrant Amsterdam Vallon is released from prison and returns to the Five Points, seeking revenge against his father's killer, William Cutting, a powerful anti-immigrant gang leader.
On Aug. 21, 2015, the world watches in stunned silence as the media reports a thwarted terrorist attack on a train that's bound for Paris -- an attempt prevented by three young Americans traveling together through Europe.
In the 1990s, an immigrant single mother raises her teenage son in the Canadian suburbs, determined to provide a better life for him than the one she left behind in South Korea.
In November 2015, a series of unprecedented and deadly attacks hits Paris. The anti-terrorist police led by Heloise and her chief commander Fred face an unprecedented level of pressure.
Betrayed by an informant, Philippe Gerbier finds himself trapped in a torturous Nazi prison camp. Though Gerbier escapes to rejoin the Resistance in occupied Marseilles, France, and exacts his revenge on the informant, he must continue a quiet, seemingly endless battle against the Nazis in an atmosphere of tension, paranoia and distrust.
A former porn director, who once elevated the genre with 1960s counter-culture ideals, returns to filmmaking after 20 years, clashing with his producer's hard-core vision.
Traces over three generations an immigrant family's trials, tribulations, tragedies, and triumphs. Maria and Jose, the first generation, come to Los Angeles, meet, marry, face deportation all in the 1930s.
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In 2001 Woodshed Films released their third Moonshine Experiment surf movie entitled “Shelter.” With a similar style and feel to the first two Moonshine Experiments, “Thicker Than Water” and “September Sessions”, “Shelter” is one of Taylor Steele and Chris Malloy’s best productions.
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