The second, of these companion films (interspersed by a "Technicolor+ countdown") introduces The Movies (Narrative Dramatic Scenes briefly flickering midst hypnogogic-painting) in addition to the closed-eye vision and language combination of Night Mulch. "Subversive" and "Liberating" are repeated, but "Liberating" actually seems to be withdrawing (zooming away) in the mixture of paints. To emphasize The Movies, these is a brief tribute to the actor Michael Caine. The resolution of these contesting 'force-fields; of visual thought (as I imagine them) is a sense of distinction of hypnagogic over and above Photography (or Picture-i. e. a collector of framed named things) as well as the words/names themselves.
It ain't easy bein' green -- especially if you're a likable (albeit smelly) ogre named Shrek. On a mission to retrieve a gorgeous princess from the clutches of a fire-breathing dragon, Shrek teams up with an unlikely compatriot -- a wisecracking donkey.
Produced exclusively for the Disney-MGM Studios in 2001 for the 100 Years Of Magic celebration, this short film was shown at the end of the park's "One Man's Dream" exhibit attraction.
When U.S. Rangers and an elite Delta Force team attempt to kidnap two underlings of a Somali warlord, their Black Hawk helicopters are shot down, and the Americans suffer heavy casualties, facing intense fighting from the militia on the ground.
A young girl, Chihiro, becomes trapped in a strange new world of spirits. When her parents undergo a mysterious transformation, she must call upon the courage she never knew she had to free her family.
A comedy pilot for the what could've been the first series starring Indian immigrants in America. Swaroop is a 10 year old kid, smart, resourceful and a good heart.
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Have you watched Very yet? What did you think about it?
