This film continues MacDougall's long-term study of an elite boys' boarding school in northern India. It focuses on a group of twelve-year-olds during their first year in one of the 'houses' for new boys. The film concerns their attachment to the house, but, more importantly, their attachment to one another in a communal life. It follows, in particular, the experiences of one boy and several of his close associates, from their initial homesickness, to their life as member of the group, to their separation from the house at the end of the year.
Three ex-convicts Rummi, Nani, Moni along with a police officer save a couple from committing suicide and help to put an evil man and his son behind bars.
It ain't easy bein' green -- especially if you're a likable (albeit smelly) ogre named Shrek. On a mission to retrieve a gorgeous princess from the clutches of a fire-breathing dragon, Shrek teams up with an unlikely compatriot -- a wisecracking donkey.
Two people run from the pain of their broken past. When they discover each other, they find themselves at a crossroad where the only thing that stands between them and a second chance is each other.
In 1996, Tsurisaki Kiyotaka, one of Japan’s most infamous death photographers, ventured into the center of Hell itself - the Rue Morgue neighborhood of Bogota, Colombia.
When U.S. Rangers and an elite Delta Force team attempt to kidnap two underlings of a Somali warlord, their Black Hawk helicopters are shot down, and the Americans suffer heavy casualties, facing intense fighting from the militia on the ground.
Produced exclusively for the Disney-MGM Studios in 2001 for the 100 Years Of Magic celebration, this short film was shown at the end of the park's "One Man's Dream" exhibit attraction.
In 2001 Woodshed Films released their third Moonshine Experiment surf movie entitled “Shelter.” With a similar style and feel to the first two Moonshine Experiments, “Thicker Than Water” and “September Sessions”, “Shelter” is one of Taylor Steele and Chris Malloy’s best productions.
The life and work of Chris Doyle, the acclaimed Australian cinematographer who found regular work as the collaborator of maverick Hong Kong auteur Wong Kar-Wai.
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Have you watched With Morning Hearts yet? What did you think about it?