Xavier Baert works on the visual outline of the body. He creates cinematographic body states which according to the French filmmaker, only cinema can invent. Ghost plays on projection and light phenomenon, on the double exposure of a body on another. The narration which is essential through a slow temporal flood comes within a progression which plays on the working drawing and fading. A ‘ghostly’ fading as it is more a question of the appearance of a body without substance through shadow effects and light loops. The image cast in negative adds to this ethereal space the sensation of unreal space, which however, forms one body with the presence of this shadow in perpetual movement. Fantome reminds us that cinema’s main rights are ‘recording bodies.
Trapped in their New York brownstone's panic room, a hidden chamber built as a sanctuary in the event of break-ins, newly divorced Meg Altman and her young daughter Sarah play a deadly game of cat-and-mouse with three intruders - Burnham, Raoul and Junior - during a brutal home invasion.
Manny the mammoth, Sid the loquacious sloth, and Diego the sabre-toothed tiger go on a comical quest to return a human baby back to his father, across a world on the brink of an ice age.
Claudio Abbado conducts the Berlin Philharmonic in this gala New Year's Eve performance, organized to commemorate the 100th anniversary of Giuseppe Verdi's death.
As Stitch, a runaway genetic experiment from a faraway planet, wreaks havoc on the Hawaiian Islands, he becomes the mischievous adopted alien "puppy" of an independent little girl named Lilo and learns about loyalty, friendship, and ʻohana, the Hawaiian tradition of family.
A true story about Frank Abagnale Jr. who, before his 19th birthday, successfully conned millions of dollars worth of checks as a Pan Am pilot, doctor, and legal prosecutor.
