"Liver recording at performances to mark the centenary of Verdi's death."01 January 2002Music88 mins
Claudio Abbado, conductor; Angela Gheorghiu, soprano; Daniela Bercellona, mezzo-soprano; Roberto Alagna, tenor; Julian Konstantinov, bass. Swedish Radio Chorus, Eric Ericson Chamber Choir, Orfeon Nonostiarra, Berliner Philharmoniker. Live recording at performances to mark the centenary of Verdi's death.
Jan. 25 & 27, 2001.
This production from Covent Garden is set in Stockholm, and not Boston. With Reri Grist (Oscar), Placido Domingo (Gustavus), Katia Ricciarelli (Amelia), Piero Cappucili (Renato), Patricia Payne (? - the booklet or DVD fails to credit the singer) (Ulrica) and Claudio Abbado in the pit: all at their peak, you just simply cannot go wrong when purchasing this DVD.
Ghiaurov, Freni, and Bumbry were great voices in their time, and they are still effective here -- good enough musicians to put over the quite heavy vocal and expressive demands of their roles.
Royal Opera House, Covent Garden, London Live showing of Verdi's Traviata with subsequent re-screenings Violetta, a Parisian courtesan suffering from tuberculosis, is throwing a party to celebrate her recovery.
Nabucco - live from Metropolitan Opera, June 2002. On its surface, Nabucco is about the epic struggle of Zaccaria and the Jews suppressed by Babylon’s King Nebuchadnezzar and his vengeful daughter, Abigaille.
A spectacular production of Aida filmed at Bregenz Festival's lakeside stage in 2009, with Carlo Rizzi conducting the Vienna Symphonic Orchestra and the Polish Radio Choir.
Teatro Regio’s 2013 revival of their highly successful 2006 production of Verdi’s Don Carlo celebrates the 40th anniversary of the theatre’s reopening in 1973.
It truly is an historic performance. Domingo looking and singing like a god pouring out golden tones; Renato Bruson sounds, like the sublime Verdian Baritone that he was at that time; Nicolai Ghiaurov proves again that he was one of the greatest "Verdi Basses"; Mirella Freni shows that there was more to her than just being Mimi and Susannah-in fact I can remember reading that at the time of the premiere of this production that there were fist fights (not unusual in La Scala's gallery) between Mirella's many fans--between those fans that just wanting her to continue singing the light lyric repertoire that they were use to her singing and those that felt she should and could sing the lyric-spinto repertoire which, of course, she proved that,indeed, she could (She's still singing more than twenty years later).
This superb 2006 production of the Los Angeles Opera's La Traviata stars Renée Fleming, who joins the ranks of the elite handful of sopranos whose vocal and acting talents make their portrayals memorable.
La Scala went all out for its 1986 production of this grandest of grand operas, with a strong cast and, most important for a video recording, a larger-than-life staging.
José Cura sings and acts here with an inwardness and intensity which make a profound impression. So does Krassimira Stoyanova as Desdemona, not in the first flush of youth, but heartfelt and direct; while Lado Ataneli's Jago is a brilliantly understated study in jovial malevolence.
Two years after the events of Tough Love, Lenny Milton has been transferred, but still finds that he is hated by his colleagues, who have branded him a grass.
Tony desperately needs some cold hard cash to help finance his next big business venture. He left Brooklyn years ago to get away from his old man and now is shacked up with his main squeeze, Aphrodite, in a Venice flophouse.
Resurrectus Est is a hand painted film which suggests, from the first, a spread of fragments of plants and flowers, individual petals and bits of twig with multiple colors, with much green "leafiness".
