In the favelas of Rio de Janeiro of the 1930s, João Francisco dos Santos is several things — son of slaves, ex-convict, thug, homosexual and adopted father for a number of pariahs. João expresses himself on the stage of a cabaret as Madame Satã.
In 1960s Wyoming, two men develop a strong emotional and sexual relationship that endures as a lifelong connection complicating their lives as they get married and start families of their own.
An alcoholic ex-football player drinks his days away, having failed to come to terms with his sexuality and his real feelings for his football buddy who died after an ambiguous accident.
When an old friend brings filmmaker Enrique Goded a semi-autobiographical script chronicling their adolescence, Enrique is forced to relive his youth spent at a Catholic boarding school.
Tobi and Achim, the pride of the local crew club, have been the best of friends for years and are convinced that nothing will ever stand in the way of their friendship.
Walt is a lonely convenience store clerk who has fallen in love with a Mexican migrant worker named Johnny.
Alternative movies trailers for Madame Satã
More movie trailers, teasers, and clips from Madame Satã:
Madame Sata (2002) - Trailer LGBT
Retrato solto de João Francisco dos Santos também conhecido como Madame Satã um chef travesti amante pai herói e condenado do Rio de Janeiro.
Madame Satã (2002) - Trailer
Maiores informações acesse:
Madame Satã (Trailer)
Lapa anos 30: o cotidiano e a intimidade de João Francisco dos Santos - malandro artista presidiário pai adotivo negro pobre homossexual - e seu círculo ...
Madame Satã 2002 Trailer
Madame Satã full hd movie trailer.
CINE AFRO - Madame Satã (2002) Trailer
Data de lançamento: 8 de novembro de 2002 (1h 45min) Direção: Karim Aïnouz Gêneros Biografia Drama Nacionalidades: França Brasil Rio de Janeiro 1932.
MADAME SATA - offizieller deutscher Trailer
Madame Satã full hd movie trailer.
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The true story of pianist Władysław Szpilman's experiences in Warsaw during the Nazi occupation. When the Jews of the city find themselves forced into a ghetto, Szpilman finds work playing in a café; and when his family is deported in 1942, he stays behind, works for a while as a laborer, and eventually goes into hiding in the ruins of the war-torn city.
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