The film I made from Gary Henoch and Harlow Robinson’s footage, An Anagram is not a documentary at all, but rather a poetic essay on the impact of the sudden collapse of a belief system on a culture. It has a 17 part quasi-musical structure inspired by Dmitri Shostakovich's Preludes and Fugues that at times ignores the literal meaning of certain interviews for the fragrant affect of the language and body language; that is, certain interactions are left un-translated so that the viewer is given full and unfettered access to the musical spirit that animates the arguments and quarrels caught so delicately in the sound and images. - Daniel Barnett
Young, inexperienced heroes, the Roma girl Darja and the "white" boy Vítek, nicknamed Ken by his friends, fall in love at a drunken dance with the intensity of their first adolescent love, unaware of the world they live in and how a mere name or skin color can arouse hatred and a desire for revenge in others.
Art historians and critics talk with Philip Guston about his ideas and new work of the 1970's. Filmed during the making of "Philip Guston: A Life Lived.
A down and out all girl race team, Maximum Thrust, hires a sexy newbie street racer, Bekka (Beverly Lynne), in hopes of saving a failing business and salvaging street creds and respect.
A small town is overrun by ankle-biting-blood-sucking DWARF Vampires. Things get complicated when the vertically-challenged coffin-creepers get their itty-bitty hands on a sword with the blood of the last slain Tall Vampire.
The story follows the two sisters Melissa and Emily, the former who accidentally killed her husband Alan and the latter who agrees to help her bury her husband in the desert.
