« Made for the Musee d'Art Moderne de la Ville de Paris exposition VOILA (Summer 2000), from ‘found’ footage taken from hundreds of unfinished films stored in Anthology's basement. A tour-de-force montage film with the spirit of Vigo and Buñuel hovering over it. Made before Godard's Origins of the 21st Century, Ziz's film provokes interesting comparisons. Both deal with images of the 20th century. But while Godard's film could be described as a poster, Ziz's film is a poem. I don't have to tell you which one I prefer...- » (Jonas Mekas)
Mike lives in New York. Every day he walks in the streets and what he sees mixes with his thoughts, while his dreams blur with the mirages of the society of images.
When Devan’s ex-girlfriend, Skye, knocks on his door with unmerited forgiveness and sexual desire, his naive lust leaves him too late to discover the monster which lies beneath her skin.
In a small New Hampshire town, the local peeping tom, Freaky Farley is embroiled in a tale of murder, monsters, ninjas, witches, angst, anger, insecurity and madness.
In 1948, French singer Charles Aznavour (1924-2018) receives a Paillard Bolex, his first camera. Until 1982, he will shoot hours of footage, his filmed diary.
Dreamy images, often in slow motion, stirred or stirring, filmed along the banks of the Seine. Close-ups of water, blurred outdoor shots, shadows and silhouettes of people.
Burford met Breer in February 1992 and filmed his actions. Breer manipulates some of his mutoscopes: he leafs through some cards of his film in the making, Sparkill Ave! A dome-shaped sculpture slowly moves across the space.
From the front-lines of conflicts in Mexico, Argentina, South Africa, Palestine, Korea, 'the North' from Seattle to Genova, and the 'War on Terror' in New York, Afghanistan, and Iraq.
News anchorwoman Cindy Campbell has to investigate mysterious crop circles and killing video tapes, and help the President stop an alien invasion in the process.
It's been 10 years since John Connor saved Earth from Judgment Day, and he's now living under the radar, steering clear of using anything Skynet can trace.
Two lost souls visiting Tokyo -- the young, neglected wife of a photographer and a washed-up movie star shooting a TV commercial -- find an odd solace and pensive freedom to be real in each other's company, away from their lives in America.
A small town is overrun by ankle-biting-blood-sucking DWARF Vampires. Things get complicated when the vertically-challenged coffin-creepers get their itty-bitty hands on a sword with the blood of the last slain Tall Vampire.
Young, inexperienced heroes, the Roma girl Darja and the "white" boy Vítek, nicknamed Ken by his friends, fall in love at a drunken dance with the intensity of their first adolescent love, unaware of the world they live in and how a mere name or skin color can arouse hatred and a desire for revenge in others.
