"Through a narrative in which action remains relatively static and intrigue is expressed abstractly through the composer John Davis' classical music and jazz sound track, the women's mundane tasks mirror each other, creating a structural parity between the two channels of the installation. Each channel not only reflects the other but also correlates to it: one woman's exit signals the other's entrance, thus making each image dependent upon the other. While the women's homes, dress, and technological access reveal a century's worth of creature-comfort advances, the two scenes emphasize the continuities of their moments over what might be the expected narrative of racial progress in the hundred years following the end of slavery." -Thomas J. Lax
Jacques Peretti's fictional interview with the controversial and quixotic Vincent Gallo, a cult figure in Hollywood despite his criticism of Tinseltown's elite.
Young, inexperienced heroes, the Roma girl Darja and the "white" boy Vítek, nicknamed Ken by his friends, fall in love at a drunken dance with the intensity of their first adolescent love, unaware of the world they live in and how a mere name or skin color can arouse hatred and a desire for revenge in others.
Robert McChesney lays the blame for the US's current state of affairs squarely at the doors of the corporate boardrooms of big media, which far from delivering on their promises of more choice and more diversity, have organized a system characterized by a lack of competition, homogenization of opinion and formulaic programming.
The film is based on Gennady Shpalikov’s most intimate story, “The Wharf”. Young Katya, who lives in a small provincial town, is dreaming of a prince charming.
Om lives in Bombay, India, in a small apartment with mother and sister. Om and his mother are of very conservative taste, when it comes to wearing clothes, however, the sister is not.
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Have you watched Corridor yet? What did you think about it?
