Cemeteries are not only places for the dead. They are also spaces in which the living interact with each other – and with the dead. “Cultivating Death” depicts the different ways in which bereaved people remember and commemorate their deceased family members and friends, by visiting and tending their graves at a Victorian cemetery in London. It is a common belief in the West that the bereaved have to ‘let go’ and ‘get over the loss’ of their deceased kin, in order to return to a ‘normal’ life. In contrast to these cultural norms, many survivors maintain strong social relationships with their dead. “Cultivating Death” portrays some visitors of Kensal Green Cemetery in West-London, as they actively sustain these continuing bonds by arranging and tending the graves of their deceased, talking to them and bringing them gifts. They thereby speak frankly about this important aspect of their mourning for which the cemetery constitutes a unique environment.
As a kid, Leo thought he possessed, like a magician, the secret power to make things happen. As a young man, he certainly knows how to make things happen with women.
Crystal believed she had the ideal existence: a passionate spouse and a classy life. But all that comes failing down when her husband tries to kill her.
It's been 10 years since John Connor saved Earth from Judgment Day, and he's now living under the radar, steering clear of using anything Skynet can trace.
Om lives in Bombay, India, in a small apartment with mother and sister. Om and his mother are of very conservative taste, when it comes to wearing clothes, however, the sister is not.
200 km follows the marches carried out by Sintel workers to reach Madrid on May 1, 2002. Sintel was a subsidiary of Telefónica that, when it was privatized, was closed, leaving its 1,800 workers on the streets.
A satire about the dictatorship period in Brazil, in which communist militants try to steal the soccer World Cup Trophy from the players Pelé and Carlos Alberto Torres.
