"Lewis Klahr's collage films have always mimed the processes of memory by pulling together the discards of contemporary life (images from ads, text books, or comic books, objects such as game pieces, menus, playing cards) into scenarios that seem like some Hollywood film dimly remembered. In Daylight Moon, he reaches even further back, to try to recall the moments in which a small child configures the world out of patterns of visual fascination, a mode of seeing that relies on touch and the feel of things rather than deep space. One of his most abstract films, Daylight Moon rarely reveals a human figure. Instead of characters, Klahr gives us the play of enigmatic spaces and empty sites that promise both the invitation of desire and the discovery of crime" Tom Gunning
After a misunderstanding aboard an airplane that escalates out of control, the mild-mannered Dave Buznik is ordered by Judge Daniels to attend anger management sessions run by Doctor Buddy Rydell, which are filled with highly eccentric and volatile men and women.
Chris crashes into a carload of other young people, and the group of stranded motorists is soon lost in the woods of West Virginia, where they're hunted by three cannibalistic mountain men who are grossly disfigured by generations of inbreeding.
An affectionate and refreshing East/West-Germany comedy about a boy who’s mother was in a coma while the Berlin wall fell and when she wakes up he must try to keep her from learning what happen (since she was an avid communist supporter) to avoid shocking her which could lead to another heart attack.
In the third installment of the Scary Movie franchise, news anchorwoman Cindy Campbell has to investigate mysterious crop circles and killing video tapes, and help the President stop an alien invasion in the process.