It's arguably the most brutal and nihilistic form of music ever to assault the eardrums, and for many young music fans, death metal isn't just something to bang your head to – it's a way of life. Whether you're a longtime death metal fan, a casual listener, or a complete newcomer to the scene, this insightful documentary features an in depth look at one of the music world's least explored genres that will educate as well as entertain. Presented with absolutely no pre-existing agenda, former Carnivore vocalist Peter Steele gazes into the black heart of the least explored style in the heavy-metal spectrum.
Shadows of Light combines the loud and soft tones of life. The centerpiece is an Austrian mountain pasture where the summer solstice is celebrated with international artists and where tradition and zeitgeist are not contradictory.
While Toki and Abigail remain in the clutches of Magnus Hammersmith and the Metal Masked Assassin, the remaining members of Dethklok carry on with their lives while pretending not to care.
Detroit's Kings of the Underworld, The Black Dahlia Murder, present their "Yule 'Em All: A Holiday Variety Extravaganza" program hosted by Neil Hamburger (Comedian, Actor).
After the heroic rescue of Toki Wartooth, DETHKLOK frontman Nathan Explosion finds himself traumatized in a BRUTAL professional and romantic flat-spin all while he is tasked with fulfilling the prophecy and confronting the ultimate songwriting challenge: write the SONG OF SALVATION and save the planet.
The much adored Swedish death metal band, Hypocrisy, is showcased in both its live and recorded glory on this comprehensive audiovisual record of their significant music career.
Here comes DEATH's probing and pulsing rock doc, DEATH BY METAL, pulling back the palm fronds of DEATH's origins in Altamonte Springs, Florida, and latching a narrative hook into the headstrong Chuck Schuldiner juggernaut for fifteen gratifying if sometimes frustrating years.
Metal Mania (1989) boldly exposes heavy metal's satanic agenda targeting youth. Bob Larson interviews bands like Slayer and Laaz Rockit, revealing demonic lyrics, backmasking, and occult imagery designed to corrupt souls—contrasted with authentic Christian metal as the godly alternative.
Young, inexperienced heroes, the Roma girl Darja and the "white" boy Vítek, nicknamed Ken by his friends, fall in love at a drunken dance with the intensity of their first adolescent love, unaware of the world they live in and how a mere name or skin color can arouse hatred and a desire for revenge in others.
The film is based on Gennady Shpalikov’s most intimate story, “The Wharf”. Young Katya, who lives in a small provincial town, is dreaming of a prince charming.
It's been 10 years since John Connor saved Earth from Judgment Day, and he's now living under the radar, steering clear of using anything Skynet can trace.
200 km follows the marches carried out by Sintel workers to reach Madrid on May 1, 2002. Sintel was a subsidiary of Telefónica that, when it was privatized, was closed, leaving its 1,800 workers on the streets.
News anchorwoman Cindy Campbell has to investigate mysterious crop circles and killing video tapes, and help the President stop an alien invasion in the process.
Robert McChesney lays the blame for the US's current state of affairs squarely at the doors of the corporate boardrooms of big media, which far from delivering on their promises of more choice and more diversity, have organized a system characterized by a lack of competition, homogenization of opinion and formulaic programming.
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Have you watched Death Metal: A Documentary yet? What did you think about it?
