The most striking thing about observing Niagara Falls is that they don’t seem to be falling at all. Being so vast they give the impression of doing just the opposite. This idea comes to mind and the body to feel elevated and rotated with its force. Like as ‘look’ is to ‘leap’, naming this portrait of Niagara’s water-ous site, “Fl.oz” is descriptive by way of a metaphoric matrix of bubbly spit volleyed from the tip of the tongue to contribute to all the world’s great oceans in a barrel-suited outfit of onomatopoeic humor, is an attempt to allude to all that is other than looking that has to do with apprehension.
A satire about the dictatorship period in Brazil, in which communist militants try to steal the soccer World Cup Trophy from the players Pelé and Carlos Alberto Torres.
Fumiya, a beautiful boy with no fixed address, sells his body to random men in the park. One day, he is in trouble but is saved by a middle-aged university professor, who sets him on a new life.
Robert McChesney lays the blame for the US's current state of affairs squarely at the doors of the corporate boardrooms of big media, which far from delivering on their promises of more choice and more diversity, have organized a system characterized by a lack of competition, homogenization of opinion and formulaic programming.
