The most striking thing about observing Niagara Falls is that they don’t seem to be falling at all. Being so vast they give the impression of doing just the opposite. This idea comes to mind and the body to feel elevated and rotated with its force. Like as ‘look’ is to ‘leap’, naming this portrait of Niagara’s water-ous site, “Fl.oz” is descriptive by way of a metaphoric matrix of bubbly spit volleyed from the tip of the tongue to contribute to all the world’s great oceans in a barrel-suited outfit of onomatopoeic humor, is an attempt to allude to all that is other than looking that has to do with apprehension.
Robert McChesney lays the blame for the US's current state of affairs squarely at the doors of the corporate boardrooms of big media, which far from delivering on their promises of more choice and more diversity, have organized a system characterized by a lack of competition, homogenization of opinion and formulaic programming.
The story begins on New Year's Eve. The editor of the newspaper Orest Orlov offers the successful 35-year-old correspondent Ksenia to take a candid interview with the famous Canadian hockey player Denis Kravtsov.
Viri is a trendy bar waitress, Lissa works in a supermarket and sings hip-hop, Valeria veterinary studies, Yvonne tries to find a place in the world of music and Lourdes does tattoos on the premises of his brother Pogo.
The film is based on Gennady Shpalikov’s most intimate story, “The Wharf”. Young Katya, who lives in a small provincial town, is dreaming of a prince charming.
Art historians and critics talk with Philip Guston about his ideas and new work of the 1970's. Filmed during the making of "Philip Guston: A Life Lived.
Comments
Have you watched Fl.oz yet? What did you think about it?
