Based on Bright Sheng’s modern orchestral composition of the same name, H’un (Lacerations) finds Wills incorporating representational elements, combined with her signature photograms and abstract images. In Sheng’s 23-minute piece, which is far more extroverted than the sound in Wills’s previous films, she found an opportunity to break out of her typical styles, using everyday objects like a shoe or a cracker to illustrate the film noir-ish score with a touch of humor.
The story begins on New Year's Eve. The editor of the newspaper Orest Orlov offers the successful 35-year-old correspondent Ksenia to take a candid interview with the famous Canadian hockey player Denis Kravtsov.
Robert McChesney lays the blame for the US's current state of affairs squarely at the doors of the corporate boardrooms of big media, which far from delivering on their promises of more choice and more diversity, have organized a system characterized by a lack of competition, homogenization of opinion and formulaic programming.
A group of actors is shooting a film in Aguas Buenas, based on the legend of a magician. There, they become infected with the honesty syndrome, which unleashes a number of hidden secrets to come to light.
200 km follows the marches carried out by Sintel workers to reach Madrid on May 1, 2002. Sintel was a subsidiary of Telefónica that, when it was privatized, was closed, leaving its 1,800 workers on the streets.
Jacques Peretti's fictional interview with the controversial and quixotic Vincent Gallo, a cult figure in Hollywood despite his criticism of Tinseltown's elite.
From the front-lines of conflicts in Mexico, Argentina, South Africa, Palestine, Korea, 'the North' from Seattle to Genova, and the 'War on Terror' in New York, Afghanistan, and Iraq.
Young, inexperienced heroes, the Roma girl Darja and the "white" boy Vítek, nicknamed Ken by his friends, fall in love at a drunken dance with the intensity of their first adolescent love, unaware of the world they live in and how a mere name or skin color can arouse hatred and a desire for revenge in others.
The film is based on Gennady Shpalikov’s most intimate story, “The Wharf”. Young Katya, who lives in a small provincial town, is dreaming of a prince charming.
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