No other adjective fits this little and delicious essay on Alpine landscapes and tourists that rest thereabout from the year‘s commotion. Bady Minck works with disposable material — old pictures and postcards — and builds with it a monument to touristic kitsch, using all digital technology available as if it were a rejuvenating system for memories. The result is hypnotic and absurdly beautiful, at the same time as it reveals to us that towns and cities also have a soul. (Buenos Aires Festival Internacional de Cine Independiente 04/04) This film takes us on a time-travel using images of an iconic mountain found on postcards. The historic imprint of political realities and human fates are rendered visible onto the idealized landscapes. The post cards where written by travellers who witnessed the same place at different times.
Om lives in Bombay, India, in a small apartment with mother and sister. Om and his mother are of very conservative taste, when it comes to wearing clothes, however, the sister is not.
As a kid, Leo thought he possessed, like a magician, the secret power to make things happen. As a young man, he certainly knows how to make things happen with women.
The story follows the two sisters Melissa and Emily, the former who accidentally killed her husband Alan and the latter who agrees to help her bury her husband in the desert.
The story begins on New Year's Eve. The editor of the newspaper Orest Orlov offers the successful 35-year-old correspondent Ksenia to take a candid interview with the famous Canadian hockey player Denis Kravtsov.
Young, inexperienced heroes, the Roma girl Darja and the "white" boy Vítek, nicknamed Ken by his friends, fall in love at a drunken dance with the intensity of their first adolescent love, unaware of the world they live in and how a mere name or skin color can arouse hatred and a desire for revenge in others.
